Sunday, September 12, 2021

Days of Thundarr

Among other recollections of fondly-remembered animated TV adventures is a dystopian fantasy series set after the ‘retro-futuristic’ year of 1994, Thundarr the Barbarian. Like the previous subjects in last week’s post, Thundarr was produced by Joe Ruby and Ken Spears but this one dealt with dramatic action elements inspired by the then-popular barbarians, Dungeons and Dragons and apocalypse trends in motion pictures and games.

The series’ premise centered around a chaotic world landscape resulting from a global warming-like climate catastrophe occurring after a planetary disaster about twenty centuries earlier. The earth’s inhabitants were thereafter populated by throwbacks to the dark ages in a 'New Earth' period characterized by sensational villains and grotesque beings not unlike J. R. R. Tolkien’s ‘Middle-earth’, a similarly surreal fantastic universe set, by contrast, within the world’s past.

During this perilous new era, a wizard named Sabian enslaves Thundarr, a formidable warrior and a lycanthrope-type creature named Ookla. The pair partner up to fight the deranged forces of New Earth evil with Thundarr’s ‘sunsword’ after they are freed by Sabian’s stepdaughter Ariel. Ariel is essentially a ‘good witch’ princess who assists them by lending her magic and knowledge to their mission.

Despite adequate ratings and a highly promising concept, Thundarr was canceled after only two seasons. That’s no more than a momentary glimpse into all that must have transpired in the centuries following the dawn of New Earth. How cheated the show’s loyal fans must have felt when Laverne & Shirley in the Army usurped their favorite show’s time slot.


Perhaps only a tease of Armageddon is all one needs to know that our world might be on the wrong path. After all, we (Old Earth) don’t need to know what will come next. We only need to see enough to understand that the paths we choose must be chosen wisely.



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